
May 20, 2008
CANNES '08 BIZ DAILY | Spike Lee's "Miracle," Young Europeans, Cyrte Buy, Fortissimo and John Woo, and More
by Brian Brooks, Peter Knegt, Eugene Hernandez, and Jenny Sung (May 20, 2008)
Continuing coverage of the Marche du Film in Cannes, indieWIRE reports on the latest deals and news from the Croisette. Tuesday saw Spike Lee discussing his latest film, " Miracle at St. Anna," Zentropa announcing their " Young Europeans" project, Holland's Cyrte and their new worldwide label, Fortissmo's plans for a new John Woo film, and more.
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May 19, 2008
iW BOT | Miramax's Norwegian Drama 'Reprise' Wows NY and LA; 'Visitor' Crashes Top Ten
by Steve Ramos (May 19, 2008)
With the Cannes Film Festival underway and generating plenty of specialty film deals, " Reprise," Norwegian director Joachim Trier's young artists drama, cruised past all specialty releases with debut earnings of $49,059 from three debut runs in New York and Los Angeles. " Sangre de Mi Sangre," filmmaker Christopher Zalla's Spanish- language drama about a young Mexican seeking a better life in New York City, also debuted in the iWBOT top five, which ranks films by per-screen average, with $8,385 in weekend box office at New York's IFC Center. Returning to the iWBOT Top Five were Magnolia Pictures' " Surfwise," director Doug Pray's documentary about eccentric surfer Doc Paskowitz and his family; Roadside Attractions' " The Fall," Indian filmmaker Tarsem's lush adventure tale set in silent-era Hollywood, and " Roman de Gare," French master filmmaker Claude Lelouch's thriller for Samuel Goldwyn Films.
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CANNES '08 BIZ DAILY | Europe Day, Another Pick-Up For IFC, Optimum Takes "Whiteout," Celluloid Options "UBIK," The Hungarian Pavilion, and More
by Brian Brooks, Peter Knegt, James Israel and Jenny Sung (May 19, 2008)
Continuing coverage of the Marche du Film in Cannes, indieWIRE reports on the latest deals and news from the Croisette. Monday afternoon saw the 6th Europe Day program take place, IFC acquired the North American rights to " The Chaser," Optimum Releasing announced plans to release " Whiteout," Celluloid Dreams options the right to Phillip K. Dick's " UBIK," Lightning Media acquires the rights to Amy Redford's "Guitar," a look at the Hungarian Pavilion, and more.
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May 18, 2008
CANNES '08 BIZ DAILY | Weinstein Takes "The Alchemist," Reliance Gives Funding To Hollywood, MGM Discusses New Plans, the Korean Pavilion, and More
by Brian Brooks, Peter Knegt, and Jenny Sung (May 18, 2008)
Continuing coverage of the Marche du Film in Cannes, indieWIRE reports on the latest deals and news from the Croisette. The Weinstein Company buys the rights to best-selling book " The Alchemist," Reliance announced plans to fund Hollywood production companies, IFC Films takes " L'Aventure," MGM heads discuss the company's future at the American Pavilion, a look at the Korean Pavillion, and more.
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May 17, 2008
CANNES '08 BIZ DAILY | IFC Takes Two More, WMA Launches $100M Fund, Celluloid Gets Animated & Scandinavian, Seville Evolves, Unifrance's Pavilion, and More
by Eugene Hernandez, Brian Brooks, Peter Knegt, and Jenny Sung (May 17, 2008)
IFC continued to be among of the busiest dealmakers in Cannes, announcing today deals for both Olivier Assayas' "Summer Hours" and Anna Melikyan's "Mermaid." William Morris joined with Screen Capital International to unveil Incentive Filmed Entertainment, LLC (Incentive), a new production and financing vehicle for films under $15 million, while Celluloid Dreams announced deals for four new prokjcts, two of them animated and two from Scandinavian directors. Also, a closer look at the evolving Canadian-based Seville Pictures and , indieWIRE takes a look at the Unifrance Pavillion as biz coverage in Cannes continues.
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May 16, 2008
CANNES '08 BIZ DAILY | Reliance Talks Big Numbers, Weinsteins Acquire "Lake" & Make Asian TV Deal, GreeneStreet Takes "Long Time," The Argentine Pavilion, and More
by Brian Brooks, Peter Knegt, and Jenny Sung (May 16, 2008)
Continuing coverage of the Marche du Film in Cannes, indieWIRE reports on the latest deals and news from the Croisette. India-based media company Reliance Big Entertainment commits to a $1 billion slate, the Weinsteins acquired " Eden Lake," and inked a pan-Asian deal with TV network STAR, Greenstreet nabs the international rights to " Long Time Gone," Flip Video puts on a shorts competition at Cannes, the Argentina Pavilion celebrates a full slate at the Festival, and more.
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May 15, 2008
CANNES '08 BIZ DAILY | Update: Hyde Park Million Dollar Asian Fund; Celluloid Follows "Prophet," MTV Wants Their Elephant Eye, Canadians All Business, and More
by Eugene Hernandez, Brian Brooks, Peter Knegt, and Jenny Sung (May 15, 2008)
Continuing coverage of the Marche du Film in Cannes, indieWIRE reports on the latest deals and news from the Croisette. Hyde Park hypes a multi-million dollar fund for Singapore productions, MTV acquires " Planet B-Boy from Elephant Eye, Celluloid Dreams begins pre-sales of Jacques Audiard's latest, Jada Pinkett- Smith brings her directorial debut to Cannes, Origin Pictures will launch in June, a look at the Canadian pavillion, and more.
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May 14, 2008
CANNES '08 BIZ DAILY | IFC Takes Two, Salt Launches, Fortissimo Busy, Delpy Pre-Sales, Ukranian Pavilion, and More
by Brian Brooks, Eugene Hernandez, Peter Knegt, and Jenny Sung (May 14, 2008)
Continuing coverage of the Marche du Film in Cannes, indieWIRE reports on the latest deals and news from the Croisette. IFC has acquired a pair of Cannes festival entries, Arnaud Desplechin's " A Christmas Tale" and Josh Safdie's " The Pleasure of Being Robbed." Meanwhile, Fortissimo has had a busy round of sales leading up to the festival, while Salt launches for its first market after being re-branded. Finally, Julie Delpy inks pre-sales for her passion project, a look at the Ukranian pavillion, and more.
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May 13, 2008
CANNES '08 BIZ DAILY | Cannes Market Kickoff, Fortissimo Gets Killer Film, AmPav Turns 20, and More
by Brian Brooks, Peter Knegt and Eugene Hernandez (May 13, 2008)
In the first of a series of daily dispatches focusing on the business side of the 2008 Cannes Film Festival: indieWIRE talks to Marche du Film director Jerome Paillard; Fortissimo acquires the rights to " Gigantic;" TFI is set to show some of Spike Lee's " Miracle at St. Anna," Arthouse Films acquires " Louise Bourgeois, Echo Bridge debuts a new slate, and the American Pavilion celebrates twenty years.
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May 12, 2008
iW BOT | Finger Licking Good Debut puts 'Poultrygeist' Atop Indie Charts
by Steve Ramos (May 13, 2008)
Troma co-founder Lloyd Kaufman dressed as a chicken and picketed New York's Village East Cinemas a few days prior to the opening of his horror comedy " Poultrygeist: Night of the Chicken Dead." His promotional antics paid off with the Troma release clawing its way past all independent movies with a finger licking good per-screen average of $10,700 at the Village East. Close behind was Magnolia Pictures' " Surfwise," director Doug Pray's documentary about off-the- grid surfer Doc Paskowitz and his family. " The Fall," Indian filmmaker Tarsem's eye-popping adventure tale set in silent-era Hollywood, also debuted in the iWBOT top five, which ranks films by per-screen average. "The Fall" earned $79,611 in weekend box office from nine runs for Roadside Attractions. Rounding out the iWBOT top five were " Before the Rains," Indian director Santosh Sivan's South India-set, period romance for Roadside Attractions, and " Bloodline," Cinema Libre Studio's documentary about the controversy concerning whether Jesus married Mary Magdalene and fathered children.
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May 8, 2008
Sign of the Times? Insiders React To Picturehouse, Warner Indie Closures
by Eric Kohn (May 8, 2008)
The tragedy was in plain sight, but nobody thought it would hit this hard. As word spread today that Warner Bros. planned to close its specialty divisions Picturehouse and Warner Independent Pictures, shifting all projects currently in development to the larger studio and its recently absorbed subdivision New Line, a mournful tone took hold of the independent film industry. "It is a sad day when any film company, large or small, bites the dust," said President of THINKfilm Mark Urman. "One had heard and one had even considered that this was a possible scenario. It's still surprising when you see it in print."
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May 7, 2008
BIZ | Cablevision Stretches its Rainbow to Sundance Channel
by Eric Kohn (May 7, 2008)
Rainbow Media announced today a plan to purchase the Sundance Channel for $496 million. Confirming reports that the network was seeking a buyer and Rainbow Media was the lead contender, the deal finds Rainbow Media Holdings, LLC, a programming subsidiary of Cablevision Systems Corporation, buying the channel from its current owners NBC Universal, CBS, Showtime Networks and Robert Redford. The Sundance founder, meanwhile, will continue his role as the network's creative director, in addition to recieving just under $50 million from the deal, with the rest of the money divided up between the other owners.
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May 5, 2008
iW BOT | Chart-Topping 'Mister Lonely' Makes Harmony Korine the Comeback Kid
by Steve Ramos (May 5, 2008)
" Mister Lonely," filmmaker Harmony Korine's sweet-natured drama about two lovelorn celebrity impersonators, rocketed past all art-house releases with a debut, per-screen average of $16,769 at New York's IFC Center. " Son of Rambow," British filmmaker Garth Jennings' coming- of-age comedy for Paramount Vantage, also debuted in the iWBOT top five, which ranks films by per-screen average, with $53,778 in weekend box office from five runs in New York and Los Angeles. Rounding out the iWBOT Top Five, were " Redbelt," director David Mamet's fight drama for Sony Pictures Classics, " Viva," director Anna Biller's sexploitation drama for Vagrant Films Releasing and Samuel Goldwyn's " Roman de Gare," a thriller from French master Claude Lelouch.
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May 2, 2008
DOC COLUMN | Arts Engine Celebrates 10 Years
by Agnes Varnum (May 2, 2008)
Ten years can either be a blip or an eternity depending on your perspective. The year 1997 saw President Bill Clinton inaugurated for his second term, James Cameron's " Titantic" was the top movie and a book about a young wizard named Harry Potter first hit shelves. It was before the Internet stock bust and "information superhighway" was still a promise. The world of documentary in the U.S. was one of foundation funding, public television broadcast and educational distribution with precious few docs breaking into any kind of commercial success. It was in that entrenched world that then-new filmmakers Katy Chevigny and Julia Pimsleur felt like they had little opportunity.
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April 28, 2008
iW BOT | Chinese Dam documentary "Up the Yangtze" Floods NY; Abu Ghraib film "Standard Operating Procedure" Fails to Catch Fire
by Steve Ramos (April 28, 2008)
With the Tribeca Film Festival underway at cross-town venues, " Up the Yangtze," the Zeitgeist Films documentary about China's Three Gorges Dam and its destructive impact, led all specialty films with a standout $15,851 in earnings at New York's IFC Center. Director Yung Chang's first feature-length documentary also became 2008's top non-fiction debut; out-performing Sony Pictures Classics' highly anticipated " Standard Operating Procedure," veteran filmmaker Errol Morris' documentary about the Abu Ghraib prisoner abuse scandal. Other new releases in the iWBOT top five, which ranks by per-screen average, included " Roman de Gare," French master filmmaker Claude Lelouch's thriller for Samuel Goldwyn Films; and ThinkFilm's " Then She Found Me," actress Helen Hunt's directing debut. Returning to the iWBOT for the third straight week was Overture Films' " The Visitor," featuring Richard Jenkins as a middle-aged professor whose life changes after helping an illegal immigrant. " Holly," a drama about child prostitution from Priority Films and Slowhand Cinema Releasing, took advantage of corporate sponsorship from business information provider LexisNexis and advance group sales to earn $15,687 at New York's Quad Cinema.
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April 27, 2008
Nonfiction Campaign: Can Errol Morris's "Standard Operating Procedure" Break the Political Doc Deadlock?
by Anthony Kaufman (April 27, 2008)
Election years are typically strong for political documentaries. Capitalizing on citizens' hunger for issues that the mainstream media is either ignoring or mishandling, audiences flock to theaters to get a deeper sense of what's going on in the world. At least that was the thinking in 2004, with the blockbuster sales of " Fahrenheit 9/11" and also given the multi-million-dollar grosses of " The Fog of War," " Control Room," " Super Size Me," and " The Corporation." Even " Going Upriver: The Long War of John Kerry" wasn't swift-boated in theaters, earning more than $614,000.
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April 21, 2008
iW BOT | "Visitor" Stays Atop Specialty Chart; Weinstein Loses with "Osama"
by Steve Ramos (April 21, 2008)
" The Visitor," the Overture Films drama about a middle-aged professor aiding a Syrian street musician, remained atop the specialty charts for a second week with a $9,250 per-screen average. An art-house success for the new film division of Starz Entertainment, filmmaker Tom McCarthy's friendship drama continued to spotlight actor Richard Jenkins in his first leading role. Enthusiastic crowds at Toronto's Cinesphere helped return Abramorama's " The Singing Revolution," about Estonians protesting Soviet occupation through massive song festivals, to the iWBOT Top Five. Other specialty films fronting the iWBOT, which ranks by per-screen average, were " Young@Heart," Fox Searchlight's documentary about a senior choir that performs alternative fare from The Clash and Sonic Youth; " GLASS: A Portrait of Philip in Twelve Parts," filmmaker Scott Hicks' documentary about composer and musician Philip Glass for Koch Lorber Films, and First Run Features' " Constantine's Sword," director Oren Jacoby's documentary about the historical role of Christianity in wars, conflicts and violence. Lagging far behind was director Morgan Spurlock's Middle East road documentary, The Weinstein Company's " Where in the World is Osama Bin Laden?"
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April 14, 2008
Changing Industry: As Dentler Moves to Cinetic's New Rights Management Division, A Pierson Steps in to Lead SXSW
by Brian Brooks and Eugene Hernandez (April 14, 2008)
Rising expectations for the future of film distribution paved the way for a pair of important industry moves within the independent movie industry today. Word that SXSW Film Festival head Matt Dentler would leave the increasingly important South by Southwest festival to join a new arm of Cinetic Media aimed at repping digital rights came alongside the announcement that Janet Pierson is replacing him in Austin. Dentler will serve as head of marketing and programming operations within the new Cinetic Rights Management (CRM) unit, while fellow board member at the local Austin Film Society, Pierson has been named the new producer of the fest and conference that runs alongside the popular annual SXSW Music event.
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iW BOT | "Visitor" is Big Man on Specialty Chart; Crowds Cheer "Young@Heart's" Rock and Roll Seniors
by Steve Ramos (April 14, 2008)
" The Visitor," filmmaker Tom McCarthy's acclaimed drama about a lonely professor befriending a Syrian street musician and his family, distanced itself from all specialty releases with weekend earnings of $86,488 and a $21,622 per-screen average for Overture Films. "Visitor," McCarthy's sophomore picture, as well as Overture's first art-house buy, became the first specialty chart topper for the fledgling film division of Starz Entertainment. Second place belonged to " Young@Heart," director Stephen Walker's documentary about a New England senior choir whose eclectic repertoire includes The Clash and James Brown. "Young@Heart" averaged $13,078 from four debut locations for Fox Searchlight Pictures. Rounding out the iWBOT top five, which ranks films by per-screen average, were " Flight of the Red Balloon," Taiwanese filmmaker Hou Hsiao-hsien's drama for IFC First Take, " My Blueberry Nights," Hong Kong master Wong Kar Wai's debut English language film for The Weinstein Company and " Dark Matter," director Chen Shi-Zheng's drama about a troubled Chinese college student for First Independent Pictures.
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April 7, 2008
iW BOT | "Red Balloon" Soars in New York Debut; "Blueberry Nights," "Jellyfish" Dazzle Audiences
by Steve Ramos (April 7, 2008)
" Flight of the Red Balloon," Taiwanese filmmaker Hou Hsiao-hsien's drama inspired by the 1956 French classic " The Red Balloon," soared above its art-house competitors with earnings of $35,222 for IFC First Take at New York's Paris Theatre and IFC Center. Close behind was " My Blueberry Nights," Hong Kong master Wong Kar Wai's debut English language film. "Blueberry Nights" struck a $12,358 per-screen average from six runs for the Weinstein Company. " Jellyfish," a Tel Aviv-set drama from husband-and-wife filmmakers Etgar Keret and Shira Geffen, earned $25,352 for Zeitgeist Films from four Greater New York locations. Returning to the iWBOT top five, which ranks films by per- screen average were Abramorama's " The Singing Revolution," a documentary about Estonia's struggle to end Soviet occupation through song festivals, and Cinema Guild's " Alexandra," Russian filmmaker Alexander Sokurov's war drama.
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March 31, 2008
iW BOT | John Lennon Drama "Chapter 27" Tops Specialty Chart; "My Brother," "Alexandra" Debut Strong
by Steve Ramos (March 31, 2008)
" Chapter 27," filmmaker J.P. Schaefer's drama about Mark David Chapman and his days leading to the murder of John Lennon, outdistanced all specialty releases with earnings of $13,910 for Peace Arch Entertainment at New York's Angelika Film Center. " My Brother Is an Only Child," Italian director Daniele Luchetti's 70's-set family drama for ThinkFilm, earned $9,357 at New York's Lincoln Plaza Cinemas. " Alexandra," Russian filmmaker Alexander Sokurov's war drama for Cinema Guild, earned $9,401 at New York's Film Forum. Rounding out the iWBOT Top Five, which ranks films by per-screen average, were " Love Songs," French filmmaker Christophe Honore's Paris-set musical for IFC Films and Red Envelope Entertainment, and Cinema Guild's " The Unforeseen," director Laura Dunn's documentary about a Texas community fighting to protect a natural spring from suburban development.
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March 30, 2008
Webolution or Wild Unknown: Digital Rights in Indiewood 3.0
by Anthony Kaufman (March 30, 2008)
Is online distribution the future for indie releases? Probably, but for now, don't bet your budget on it. This year, at festivals from Sundance to Berlin to SXSW, industry professionals and filmmakers have been debating the state of feature streaming and online delivery at cocktail parties and on official panels with names like "Webolution!" and "Filmmakers on Demand."
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March 24, 2008
iW BOT | "Planet B-Boy" Spins Atop Specialty Chart; "Same Moon" Shatters Record for Spanish-Language Debuts
by Steve Ramos (March 24, 2008)
" Planet B-Boy," director Benson Lee's break dancing documentary for Elephant Eye Films, jumped past all art-house releases with a debut, per-screen average of $13,889. " Under the Same Moon," director Patricia Riggen's immigration drama, a co-release for Fox Searchlight and the Weinstein Company, broke opening-weekend records for a Spanish-language film with three-day earnings of $2.8 million from 266 screens. " Love Songs," French filmmaker Christophe Honore's Paris- set musical for IFC Films and Red Envelope Entertainment, averaged $10,244 from two New York runs. Rounding out the iWBOT Top Five, which ranks films by per-screen average, were " Boarding Gate," French filmmaker Olivier Assayas' thriller featuring Asia Argento and Michael Madsen, and " Praying with Lior," director Ilana Trachtman's documentary for First Run Features about a Jewish boy with Down's Syndrome preparing for his Bar Mitzvah.
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March 18, 2008
"Manda Bala" Wins Big at First Cinema Eye Awards
by Eugene Hernandez (March 18, 2008)
Born out of anger, to use the words of filmmaker Jason Kohn, the inaugural Cinema Eye Honors for documentary films awarded three prizes to " Manda Bala (Send A Bullet)" on Tuesday night in New York City. Kohn's doc, nominated in six of the nine Cinema Eye categories, was honored as best picture and also received awards for cinematography and editing.
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March 17, 2008
iW BOT | "Snow Angels" Leaps Atop Specialty Pack; "Sputnik Mania" Hits NY
by Steve Ramos (March 17, 2008)
" Snow Angels," filmmaker David Gordon Green's estranged couples drama for Warner Independent Pictures, leapt past all art-house releases with a sophomore, per-screen average of $8,476; a twenty percent jump from its debut. " Sputnik Mania," director David Hoffman's Cold War documentary for Balcony Releasing, led all specialty premieres with $6,223 at New York's IFC Center. "Sputnik Mania" outperformed the high profile, wide-releases of " Funny Games," Austrian filmmaker Michael Haneke's scene-by-scene, English-language remake of his 1997 thriller for Warner Independent, and " Sleepwalking," director William Maher's family drama for Overture Films. Rounding out the iWBOT Top Five, which ranks films by per-screen average, were " The Counterfeiters," Austrian filmmaker Stefan Ruzowitzky's Best Foreign Film Oscar winner for Sony Pictures Classics, " Praying with Lior," First Run Features' documentary about a devout teenage Jewish boy with Down's syndrome and Sony Classics' period drama " Married Life."
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Beyond The Art House: True Indies Find Real Theatrical Alternatives Outside Commercial Venues
by Steven Rosen (March 17, 2008)
Commercial urban art houses are often so filled up with studio specialty division releases that truly independent films have a tough time getting in. But a vibrant and varied alternative scene is growing to get these endangered small movies seen - and maybe even to make a little money. It involves cinematheques, non-profit film centers with niche-oriented programming, film clubs, museums, microcinemas and cafes, universities, and more. Despite the growth of online platforms and on-demand sources for home viewing, these outlets are committed to providing communal moviegoing experiences, often with an educational component. And traditional distributors are working with them, even while continuing to try for extended engagements in the commercial theaters.
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March 10, 2008
iW BOT | Stoked: IFC's "Paranoid Park" Leads Pack of Specialty Debuts; "Counterfeiters" Remains Top Oscar Winner
by Steve Ramos (March 10, 2008)
" Paranoid Park," writer/director Gus Van Sant's acclaimed youth drama for IFC Films, far out-performed all specialty releases, including recent Oscar winners, with weekend earnings of $29,828 at New York's IFC Center and Angelika Film Center. " Snow Angels," filmmaker David Gordon Green's couple-in-crisis drama for Warner Independent Pictures, led remaining art-house debuts with a per-screen average of $7,123. Rounding out the iWBOT Top Five, which ranks films by per- screen average, were " Married Life," director Ira Sachs' period drama for Sony Pictures Classics, " The Counterfeiters," Austrian filmmaker Stefan Ruzowitzky's Best Foreign Film Oscar winner for Sony Pictures Classics, and " Chop Shop," director Ramin Bahrani's drama about a twelve-year-old Latino boy for Koch Lorber Films.
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March 9, 2008
SXSW '08 DISPATCH | As "Nights and Weekends" Debuts, Swanberg & Gerwig Sign Worldwide Deal with IFC
by Eugene Hernandez (March 9, 2008)
The SXSW Film Festival, annual meeting place for that infamous interconnected movement of new American filmmakers known as Mumblecore, has yielded a deal for the new film from prolific DIY director Joe Swanberg. In a pact brokered in recent days, IFC Entertainment quickly acquired worldwide rights to Swanberg and Greta Gerwig's " Nights and Weekends," announcing the deal as the film had its world premiere tonight (Sunday) here in Austin, TX. and less than a year after distributing Swanberg's "Hannah Takes The Stairs," which debuted here last March.
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March 3, 2008
iW BOT | King of Queens: Koch Lorber's "Chop Shop" Top Debut; "Counterfeiters" Leads Oscar Winners
by Steve Ramos (March 3, 2008)
" Chop Shop," director Ramin Bahrani's coming-of-age drama for Koch Lorber Films, out-performed all specialty debuts with weekend earnings of $8,475 at New York's Film Forum. " The Counterfeiters," Austrian filmmaker Stefan Ruzowitzky's Best Foreign Film Oscar winner for Sony Pictures Classics, led all Oscar victors, including Miramax's Best Picture winner " No Country for Old Men," with a sophomore week per-screen average of $10,295. Rounding out the iWBOT Top Five, which ranks films by per-screen average were " The Duchess of Langeais," veteran French director Jacques Rivette's period drama for IFC Films, Sony Classics' " The Band's Visit," an Israeli film about an Egyptian police band lost in rural Israel; and " In Bruges," writer/director Martin McDonagh's hit men comedy for Focus Features.
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Docs Across America: Can Michael Moore Save the Theatrical Nonfiction Market?
by Anthony Kaufman (March 3, 2008)
After a dismal year for the theatrical nonfiction business, when aside from Michael Moore's " Sicko," only two documentaries - " No End in Sight" and " In the Shadow of the Moon" - made just over a million dollars, the iconoclastic documentary filmmaker wants to change all that. Last month, at the International Documentary Association's annual Oscar documentary celebration, Moore called for "Doc Night in America" (see related indieWIRE article), a plan which would see major theater chains dedicating one screen, one night a week, to non fiction film. While the proposal remains in its nascent stages, it has already spurred talk, both positive and negative, within the documentary community and the industry, at large. Will Moore's plan take off? And if it does, is it a good or bad thing for documentary releasing?
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